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There were also some less than desirable music apps on there as well as some non musical apps. I copied and pasted this from my 'Keep Up With Your Apps, Fool' list I have. #190126 - 01/14/13 01:14 PM Re: What 'must-have' music iPad apps could you recommend to me ?

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as the saying goes.In no particular order are some of my favorite apps (many were free or discounted): I have never found a soft modular which balances good sound, good patchability and good resource usage. I've owned Reaktor since it was called Generator, and I've made a ton of synths in it. Having said all that, I still think Reaktor is worth a purchase (at 99 bucks). It can solve mathematical problems more efficiently, but it is not the same kind of fun as connecting an oscillator to a filter and seeing what happens, and thats the fun I want. It is a JIT abomination championed by clever and well educated engineers for all the wrong reasons.

I do not find it fun, intuitive or learnable. Connect an Oscillator to a filter, connect it to the output. The old Primary system was very intuitive.

Of course the sound is not the absolute best, but it is a nice synth which shows what can be done at a basic level.īut unfortunatly NI have moved Reaktors building methodoogy to Core programming to get faster CPU. Theres a great Reaktor user library ensemble called 'Boland' which is a copy of a Roland modular and is made in Primary, it has a very low resource usage and is real fun to play with. I've made a bunch of good synths over the years, and that process was easy. Its like trying to stand up in a 5 foot room.Īs for editing and creating your own (non block) synths. The very point at which interesting sonic fruit is budding. Sure you can freeze, but the point of modular is evolving experimentation. But as soon as you want to cross modulatate a 'complex oscillator' or use those tasty blocks. Making a (monophonic) 3 osc, 1 filter, 1 amp moog clone might be a tolerable 25% resource usage. One note at a time.Īlso, its very CPU intensive as soon as you start to delve into anything interesting. Surely a major part of modular sound discovery is that ability to quickly try routings - the Osc 2 out into Osc1 in. In blocks you are either patching, or tweaking the panel.

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In a real modular you can patch and play synchronously. Oh it comes from the LFO!' You dont have to walk around the back, its right there in front of you.

The A and B of each block is therefore 'mystery meat' the sources are hidden on the panels of the destination - as opposed to a real modular where you can say 'what the hell is this cable going to my cutoff freq.

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Each block has only two mod inputs, and these are connected in edit mode (not the front panel block view) and then mod amount of A and B modulator is controlled in block mode. But the pitfalls of blocks are in its 'modularity'. Regarding the new Blocks format - the interface looks nice, and many of the blocks are very well made (EG their Moog filter block from Monark). I've mainly created synths in Reaktor's 'Primary' mode over the years and find that reasonably satisfactory. Reaktor often pops up on sale for about 99€ /$ and is probably worth it just for the huge selection of user created instruments. The big problem is CPU for all these synths.

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